Insignia by S.J. Kincaid

More than anything, Tom Raines wants to be important, though his shadowy life is anything but that. For years, Tom's drifted from casino to casino with his unlucky gambler of a dad, gaming for their survival. Keeping a roof over their heads depends on a careful combination of skill, luck, con artistry, and staying invisible.

Then one day, Tom stops being invisible. Someone's been watching his virtual-reality prowess, and he's offered the incredible--a place at the Pentagonal Spire, an elite military academy. There, Tom's instincts for combat will be put to the test and if he passes, he'll become a member of the Intrasolar Forces, helping to lead his country to victory in World War III. Finally, he'll be someone important: a superhuman war machine with the tech skills that every virtual-reality warrior dreams of. Life at the Spire holds everything that Tom's always wanted--friends, the possibility of a girlfriend, and a life where his every action matters--but what will it cost him?

Gripping and provocative, S. J. Kincaid's futuristic thrill ride of a debut crackles with memorable characters, tremendous wit, and a vision of the future that asks startling, timely questions about the melding of humanity and technology.

If I had to pick an overlying theme for this book it would be something about corporate control.  At its roots there is some preaching about corporations and how they control the government and get away with murder (in this book: literally).  There's some really deep stuff for something that read like an MG SF book (probably because the protagonist is only 14, but also because the pacing is fast and furious like MG).  It's easy to forget how chilling this premise is, though, because Insignia is truly funny.  It's also technical, and although it does a really good job of breaking down neuroscience and cybernetic computer programming in spots the worldbuilding reads more like a technical manual.  The characterization is great, and all the kids have distinct personalities free of stereotypes that develop and mature as they experience things.  There are adults, too, who are shown to be not perfect and yet still working for the greater good.  Overall, though, the result is a great read.  I think it can be very hard to be both technical and funny, but Kincaid pulls it off beautifully.  I think anyone who is a fan of Human.4 and Little Brother will love this book.

Legend by Marie Lu

What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic's highest military circles. Born into the slums, fifteen-year-old Day is the country's most wanted criminal. But his motives may not be as malicious as they seem. From very different worlds, June and Day have no reason to cross paths - until the day June's brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family's survival, while June seeks to avenge Metias's death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets. Full of nonstop action, suspense, and romance, this novel is sure to move readers as much as it thrills.

This book started out kind of confusing. It took me a while to catch on that we were switching perspective between Day and June, and not that June was secretly Day. That made it very confusing when talking about Day as a boy, I kept expecting them to reveal him as a girl in disguise even after I had gotten the Day/June part straight. However, even with that confusion I really liked this book. I really got into the character of June, she sounded so realistic, and I felt for her as she started having doubts and liking Day. I didn’t identify as much with Day’s point of view, but I never identify with male characters as much as females. Day did provide some much-needed exposition, and his point of view as a poor criminal was needed to show the dystopia for what it was. I liked that Day had a female friend that didn’t have any romantic relationship with him and that June didn’t really care, either. In fact I think this book is worth reading for the character’s relationships. June and Day have a very healthy relationship built on each others’ strengths and supporting the other’s accomplishments. Although June suffers from no-parent syndrome (a common trope in YA literature) her older brother Metias seems to encourage her more than shelter her, and only keeps secrets from her that he was keeping from everyone else, too. Even June’s relationship withThomas shows that the dystopia Lu has built has a very realistic gender parity, and although Thomas is power hungry and his attempt at a relationship is not good or healthy it is colored by the power differential of status, not gender. I did feel that although this aspect of the worldbuilding of Los Angeles was interesting the rest of the world seemed sparing, as if Lu only invented what she needed, but that could be because the book concentrated on characters and not place, or because to reveal to much is to spoil the future. Either way, I can forgive and I will be placing the sequel on my must be read list!

Black Hole Sun by David Macinnis Gill

Durango is playing the cards he was dealt. And it’s not a good hand.

He’s lost his family.

He’s lost his crew.

And he’s got the scars to prove it.

You don’t want to mess with Durango.

This classic sci-fi western book was a delight to find. Although it has some of the issues that are ingrained in its genre Black Hole Sun was still a breath of fresh air in the current sci-fi/romances and fantasy/romances. Durango is a great character, and I was surprised to find that I really identified with him even though I almost always identify with the female lead. Perhaps Mimi, Durango’s iPhone-in-his-head-voice has a lot to do with that. Mimi is delightfully sarcastic and has a distinct personality of her own, but it connects with Durango’s very well in a great friendly, motherly, mischievous way. The alien bad guys in the story, the Drau, are a mix of zombie and alien and seem to be something I have seen before until a plot twist at the very end of the book changes my mind. Speaking of plot, although this book falls into the trap that many of the classics of its genre have in that it is a very slow starter and the plot can drag until it gets to its main storyline. It does give us time to get to know his davos, including Vienne, a tough-as-nails second in command mercenary that nonetheless had a personality that made her a very rounded character that plays well off the humor of Fuse. I did find some things confusing, like the slang (a friend said it was Australian maybe?) and the charting of time and calculation of ages. Although I understand why the author did this I wished there was a little primer or exposition that would explain it better early in the book. In all, though, if you like sci-fi western/military like Firefly or Zoe’s Tale you would be delighted with this book. I will be picking up the sequel soon, and since the plot picks up where this book left off I have high hopes that it will be even better than this book.

Speculative Fiction

Really, when we talk about Sci-Fi and Fantasy we're talking about Speculative Fiction. Speculative fiction is the broad category of fiction books that are not set in a realistic world. Unlike contemporary fiction, which is set in the factual present, or historical fiction that is set in the factual past, Speculative Fiction (or spec-fic) deals with book settings that are not realistic in some manner. To relate to this blog, it covers both sci-fi and fantasy books.

So if spec-fic covers both sci-fi and fantasy how do we tell them apart? The difference is in how the non-realistic things are dealt with. In sci-fi all of that is dealt with by science. Ships fly at the speed of light because there are light-speed engines, strange-looking beings are aliens who look different because they evolved on a different planet, or people have greater-than-natural abilities due to genetic manipulation. Fantasy, on the other hand, doesn't have a scientific explanation for things. Things fly because someone wills them to, strange-looking beings are magical incarnations such as faeries or goblins, and people have greater-than-natural abilities because they're under a spell or gifted by a god.


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So what are the types of sci-fi? Here's a list of the categories I'll be using in my tags, shamelessly stolen from Wikipedia:

Hard SF - this is what people usually think all of sci-fi is. It's books that have plots that concentrate on physics and other "hard sciences" and meticulous worldbuilding with plot twists that generally rely on scientific things or phenomenon.

Soft SF - books that concentrate on the "soft sciences" such as sociology and politics. Dystopians are Soft SF books that take sociology or psychology to the extremes.

Cyberpunk - plots that rotate around technological advances of cybernetics - where people and technology merge into one being.

Biopunk - focuses on sciences that manipulate the human body through genetic technology instead of technological implantation.

Steampunk - imagines that the past (usually Victorian Europe or US) had advanced technologies. Called "steam"punk because the technical innovations often run by steam power instead of batteries or the like. There are variations, like decopunk, arcanepunk, and enginepunk, but I'm not going to separate them out.

Time Travel - plots where people travel through time.

Alternate History - plots that imagine the past was different than it really was. Steampunk is a sub-set of Alt History.

Military Sci-Fi - concentrates on wars and soldiers in big battles with advanced technologies.

Superhuman - plots that have human characters that have unusual powers due to some scientific reason. Closely related (and often intertwined) to Cyberpunk and Biopunk.

Apocalyptic - deals with the end of the world, either right before and how humans deal with it or right after and how humanity tries to recover. Usually split into pre- (before the end of the world) and post- (after the end of the world). Differs from Dystopian in that nature caused the end of a society and a rise of a new (sometimes oppressive) one, not people or their actions.

Dystopian - deals with a society that exists based on the deprivation, oppression, or terror of the people in the society. The plot usually searches to overthrow this society.

Space Opera - tales that deal with life on other planets or space travel. Often has a heroic tale slant to the plot.

Space Western - A plot that takes the tropes of westerns (cowboys, shoot-em-ups, frontiers) and combines it with science-fiction tropes (space ships, interplanetary travel, space exploration).

Generation Ship - not often an entirely different sub-genre, but it's become a popular slice of space opera crossed with dystopian so I'm separating it out.


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There are even more types of Fantasy than there are Science Fiction, but I'm not going to use all the variations on this blog. I don't feel there's a lot of need to show people the varieties of fantasy since it's readily embraced by YA readers. Here are the few I'll be using:

Urban Fantasy - modern people in modern settings encounter magic or the fantastic. Contains the Paranormal Romances so popular right now.

Hard Fantasy - where magic exists, but everything emulates worlds we know and is as realistic as possible (magic obeys laws of physics, etc.). This is a very difficult thing to describe, so I'll apply it sparingly.

High Fantasy - Heroes, sorcerers, intrigue, and a quest to resolve it all just like Tolkien.

Historical Fantasy - a historical setting, only with magic.

Mythic - retelling of myths, fairytales and/or folklore.

Mythical Creatures - technically a section of mythic, but there are so many of these today that I'm separating them out.

Superhero - people have magic powers for some reason.



I'll be working in the next few weeks to backdate all my old posts with these tags.

Invasion by Jon S. Lewis

He didn't ask for the job, but now all that stands between us and chaos . . . is Colt.

Colt McAlister was having the summer of his life. He spent his days surfing and his nights playing guitar on the beach with friends. He even met a girl and got his first car. But everything changes when his parents are killed in a freak accident.

He's forced to leave his old life behind and move to Arizona with his grandfather. The only person he knows at the new high school is a childhood friend named Dani. And Oz, a guy he's sure he's never met but who is strangely familiar.

But what if his parents' death wasn't an accident? His mother, and invesitgative reporter, was going to expose a secret mind-control program run by one of the world's largest companies. Before she could release the story, what if agents from Trident Biotech made sure she couldn't go public?

Vowing to uncover truth, Colt gets drawn into a secret world of aliens, shapeshifters, flying motorcycles, and invisible getaways.

The invasion has begun.

This is the first book in the C.H.A.O.S. Series. Even though I am a series completionist I think this will be my last read in this series. I just didn't connect with this book at all. Perhaps it is because I'm not really in the target demographic of pre-teen boys (who I think would eat this up and ask for more), but I found all the technical problems too glaring to enjoy the book. First was the author's problem with starting the book. He jumps us into a "boot camp trial" at the CHAOS Agency where a character named Oz Romero acts as the exposition computer and our lead, Colt, experiences a little bullying for being so small but finds out that he is the seventh son in a history of alien-fighters extending back to his grandfather, who was so legendary there is a popular series of comic books based on his World War II exploits (I'd call Colt a Mary-Sue, but that would imply that there was some kind of female influence in the book which really wasn't present at all). After the military trial we skip to Colt being attacked by a tentacle monster while his parents are killed in a car wreck with a drunk driver. Colt responds to this much like he responded to the bullies at the military tryout: woodenly. He does make best friends with Danielle, who he thinks of as "the little sister he never had" but who is a "quick study" at video games (*insert sarcastic tone* extraordinary, really, since boys are much better at video games than girls, of course). It's ok, though, because she eats salad like a normal girl, and she forces him to explore his feelings (difficult to do in such an emotionless character) and other *girly* emotional things. She's nothing, though, compared to Lily, who has "playful" eyes, "golden waves" of blonde hair, and a "melodic" voice that captivates Colt even before he discovers that she smells like orange blossoms. Meanwhile Colt becomes best friends, again, with Oz (CHAOS wiped his memory of his tryout) and gets tipped off that his parents were killed because his mother was about to write a huge exposee on the Trident company's experiments with mind control.

I think one of the strangest things about this book, though, are the details. It is as if the author felt that he should flesh out the story by making interesting details, but they're so unrelated to what's going on that they read like filler. His male characters get strange names like Colt, Oswaldo, and Aristotle. He wastes half a page on Colt and Danielle arguing over who should pay for gas (he does, of course), and another paragraph on the color of sheet they use to cover up Colt's stolen motorbike/plane (because pink is icky). Some of these details are downright misogynistic. Danielle evades capture in a high-speed car chase but looses the laptop her pursuers were after because she leaves it in her car as she goes for ice-cream (because although she eats salad like a good girl she needs to follow up high-speed pursuit with a triple chocolate sundae). And the most concerning part of being chased by robots to Danielle is worrying about whether or not the robot recorded any close-ups where her makeup is smudged. Even the robots are gendered: the killer ones are male and the servant/waitress ones are obviously "made to look and sound like a female". The cliched sentences even start to contradict themselves. Danielle warns Colt that "if you really care about her like I think you do, you need to protect her" while on the next page Colt thinks to himself that Lily "wasn't wearing a ring on her finger" (because lots of 16 year old girls are?) "that meant she was fair game" to Oz, but Colt is torn because he "didn't want to reduce Lily to some kind of a prize that went to the winner."

The other major issue is Colt's Mary Sue tendencies. He steals a motorbike/plane to escape from trained military assassins and easily outruns them. He outfights a mind-controlled superhuman programmed to capture him. He is the seventh son of a seventh son . . . (okay, the first is true but the second is not - although I wouldn't be surprised). He's also implied to be psychic: he knew *somehow* that Trident was behind his parents' deaths, and that Oz knows more about Trident than he lets on. He has the highest test scores in the history of CHAOS, and he's hand-picked to lead the organization before he even starts attending their academy (and while he's still 16). He has a girl sidekick (the scatterbrained Danielle, mentioned above) who "gets computers" well enough to hack into an alien corporation's top secret network and a guy sidekick who is probably the only person under the age of 20 who knows all about alien planets and has connections on all of them. And, to top it all off, he plays guitar just enough so that he can accompany the future-country-star Lily as she sings in church.

In all, I think this book shows its roots too much. It reads rather like a comic book without the pictures, complete with stilted dialogue and cookie-cutter plotting. It also is way too sexist, even when it is trying not to be (another major problem I have with much of the comic industry). I don't think I could recommend this book to anyone, even the pre-teen boys who might enjoy it, because I would worry that it would give them bad ideas about girls and gender.

I was provided with a free copy of this book through netgalley, however, I felt guilty getting such a book for free and declined the review and bought a copy so that I could do what I thought of as a proper review.